The Korean Cultural Center in Hong Kong presents "Speculative Visions of a Post-Climate Future", a Korea-Hong Kong media art exchange exhibition on view from June 4 to July 4, 2026. Organized in celebration of the 2026 “Year of Cultural Exchange among Korea, China, and Japan,” the exhibition brings together contemporary media artists and curators from Korea and Hong Kong in a collaborative platform for creative dialogue. Centered on the theme of a post-climate-change future, the exhibition explores evolving relationships between humans, the environment, and technology through a diverse range of media, including virtual reality, game-based works, and moving-image installations. The project is co-curated in partnership with Studio for Narrative Spaces—an artistic collective formed by practitioners from the School of Creative Media at City University of Hong Kong—and aims to foster sustained artistic exchange and collaboration between the two regions. ▲Yeom Inhwa, Koko Killing Island: Tour d'Epicure (Photo credit: RAY LC and Evan Zhao Yifan) ▲Kim Sangdon, The Eggs (Photo credit: RAY LC and Evan Zhao Yifan) ▲Jang Yunyoung, Symbiotic Luminescence (Photo credit: RAY LC and Evan Zhao Yifan) ▲Oh Jooyoung, Scope of the Cloud (Photo credit: RAY LC and Evan Zhao Yifan) ▲Koh Hui, Perceive (Panorama) ▲Picture Rhythm Studios and Studio for Narrative Spaces, Nonhumotion 2.0 (Photo credit: RAY LC and Evan Zhao Yifan) The exhibition features leading Korean media artists Yeom Inhwa, Kim Sangdon, Oh Jooyoung, Kohui, Jang Yunyoung, and Hong Kong-based team Picture Rhythm Studios. Through distinct artistic approaches and technological mediums, the participating artists envision speculative futures shaped by climate crisis, proposing new ecological and technological paradigms that move beyond anthropocentric perspectives. Yeom Inhwa’s VR work adopts the format of virtual tourism to explore the historical trajectory of climate crises and transformations in media technology. Kim Sangdon visualizes questions surrounding life and futurity through the motif of the egg. Oh Jooyoung presents a game-based narrative of human–ecological relationships set within a speculative future city, while Koh Hui employs video and sound to reconfigure the rhythms and structures of contemporary society. Jang Yunyoung’s AI-driven video work reflects on symbiotic relations within marine ecosystems affected by climate change, and Picture Rhythm Studio proposes a new narrative of survival in which technology and ritual converge in a post-collapse world. (Photo credit: RAY LC and Evan Zhao Yifan) (Photo credit: RAY LC and Evan Zhao Yifan) The opening ceremony, held on June 4, was attended by artists Yeom Inhwa, Koh Hui, and Jang Yunyoung. The program included an exhibition introduction by the Studio for Narrative Spaces team, as well as a contemporary dance performance responding to the featured works by Picture Rhythm Studios. The event welcomed over 60 attendees, including artists, art professionals, and members of the public from both Korea and Hong Kong, creating a dynamic platform for cultural exchange.

[Opening Reception] SPECULATIVE VISIONS OF A POST-CLIMATE FUTURE Date: Thursday, 4 June 2026 Time: • 6:00 – 8:00 PM | Cocktail Reception   • 6:30 – 7:30 PM | Opening Ceremony (Performance, Curator & Artists Exhibition Tour) Venue: Korean Cultural Center (6–7/F, Block B, PMQ, 35 Aberdeen Street, Central) ________________________________________ The Korean Cultural Center is pleased to invite you to the opening reception of “Speculative Visions of a Post-Climate Future”, the first 2026 open call exhibition curated by Studio for Narrative Spaces. This exhibition brings together Korean artists, creative studios, and a Hong Kong collaborative art project to explore imaginative visions of a post-climate future. Through diverse media including sound, robotics, games, AI-generated moving image, and multimedia installation, the exhibition presents innovative ways of engaging with climate futures. A special highlight of the evening will be a live performance featuring Nonhumotion 2.0, a robotic performance installation, presented in collaboration with a performing artist. For more information: https://exhibitionarchive.github.io/kcc-post-climate-future/index.html

  “2026 From Korea to Hong Kong: Expanding Horizons” features works by 11 leading Korean contemporary artists in collaboration with 11 Korean galleries participating in Art Basel Hong Kong 2026. This year’s edition brings an expanded lineup of artists and galleries, offering a broader glimpse into Korea’s vibrant and ever-evolving art scene.   Manna Lee 李萬娜 (Sun Gallery) Michael Joo 米高·朱 (Kukje Gallery) Jae Yong Kim 金載容 (Hakgojae Gallery) Won Seoung Won 元性媛 (Arario Gallery) Kang Hoon Kang 姜康薰 (Johyun Gallery) Kyung-Chul Shin 申炅澈 (Leeahn Gallery) Sujin Choi 崔秀珍 (G Gallery) Jaeseok Lee 李在錫 (Gallery Baton) Youjin Yi 李裕珍 (Wooson) Muyeong Kim 金武永 (N/A) Jonghwan Lee 李鍾晥 (Cylinder)

[Opening Reception] 2026 From Korea to Hong Kong: Expanding Horizons Opening Reception Date: Tuesday, 24 March 2026, 6:00 – 8:00 PM (Artists introduction at 7 PM) Venue: Korean Cultural Center (6-7/F, Block B, PMQ, 35 Aberdeen Street, Central) Korean Cultural Center invites you to the opening reception of "From Korea to Hong Kong: Expanding Horizons", a group exhibition with 11 Korean galleries who participate Art Basel Hong Kong 2026 showcasing the artworks of 11 artists. Manna Lee 李萬娜 (Sun Gallery) Michael Joo 米高·朱 (Kukje Gallery) Jae Yong Kim 金載容 (Hakgojae Gallery) Won Seoung Won 元性媛 (Arario Gallery) Kang Hoon Kang 姜康薰 (Johyun Gallery) Kyung-Chul Shin 申炅澈 (Leeahn Gallery) Sujin Choi 崔秀珍 (G Gallery) Jaeseok Lee 李在錫 (Gallery Baton) Youjin Yi 李裕珍 (Wooson) Muyeong Kim 金武永 (N/A) Jonghwan Lee 李鍾晥 (Cylinder)

The Korean Cultural Center in Hong Kong presents “Echoes in Between: Four Voices in Korean Abstraction”  from February 4 to March 19, 2026, at the gallery space of the Korean Cultural Center in Hong Kong. Organized in collaboration with Soluna Fine Art Gallery, the exhibition features four leading Korean  abstract artists—Ha Tae-Im, Jang Seungtaik, Kim Young-Hun, and Park Yoon-Kyung. While each artist engages abstraction through different visual languages, they are united by  shared inquiries into color, layering, gesture, and space, revealing how meaning emerges in the  subtle intervals between material and immaterial, presence and absence. Ha Tae-Im’s Un Passage series evokes psychological resonance and human connection  through flowing bands of color. Jang Seungtaik’s Layered Painting records time and presence with translucent layers. Kim Young-Hun’s Electronic Nostalgia merges traditional brushwork with digital sensibilities  to visualize vibrations between analogue and digital. Park Yoon-Kyung layers color and text on silk and chiffon, dissolving boundaries of image  and space to explore universal values of communication and emotion. At the opening reception on February 4, over 50 figures from Hong Kong’s cultural and art  community, as well as collectors and general visitors, attended and engaged in exchanges.