[場景設計: 美術指導眼中的電影世界]

📆 10月29日(二)-11月30日(六)

📍駐香港韓國文化院 K-Pop Zone(香港中環鴨巴甸街35號PMQ元創方B座Hollywood 6樓)

每部電影，都是一門視覺藝術。它表達出編劇以及導演的個人風格； 而美術指導則是將劇本中的文字及導演的想法， 透過場景及服裝美學去呈現給觀眾。

駐香港韓國文化院與韓國映像資料院共同主辦名為 ＜場景設計: 美術指導眼中的電影世界＞展覽。透過對韓國電影製作設計的代表人物- 韓아름(Han Ah-rum) 的作品進行探討， 介紹場景設計在電影製作中的作用和功能。

從場景和人物的分析，到賦予場景概念、情緒和視覺元素的大量設計，再到製作和施工的實際過程，您將通过本展览看到一部電影如何從文字開始轉變為動態畫面的。同時，由於他們的每部作品本身就是一種視覺享受，您亦將體驗到另一種電影美學。

[Production Design: Scene Architects Build On-Screen Worlds]

📆29 October(Tue) – 30 November(Sat)

📍 K-Pop Zone, Korean Cultural Center in Hong Kong(6/F Block B, PMQ, 35 Aberdeen Str., Central, Hong Kong)

Every Film is a visual art. It expresses the Screenwriter's and Director's style, while the Production Designer presents the script's words and the Director's ideas to the audience through the scene and costume aesthetics.

Korean Cultural Center in Hong Kong and Korean Film Archive co-organized an exhibition called <Production Design: Scene Architects Build On-Screen Worlds>. This exhibition introduces the role and function of production design in filmmaking by exploring the works of Han Ah rum, the representative Production Designer of the current generation of Korean cinema.

From the analysis of scenarios and characters, through numerous designs to give shape to scene concepts, mood, and visual elements, to the practical processes of production and construction, you will see the ways in which a film, beginning with words, is transformed into moving pictures. At the same time, since each of their works is a visual treat in and of itself, you will experience another aesthetic of cinema.